It is a life size portrait of a man believed to be based on a death mask accounting for the individualized features of a mature man.
Marble bust of a man analysis.
Marble bust of a man.
Category 15th century and earlier italian antique marble busts.
Harwood also chose an unusual antique format for the bust terminating it in a wide arc below the man s pectoral muscles.
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With noble bearing this man proudly holds his chin high above his powerful chest.
Sculptor francis harwood chose a black stone to reproduce the sitter s skin tone.
The art is reputed to have been a study of a marble or bronze bust.
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On view at the met fifth avenue in gallery 162.
Marble bust of a man mid 1st century a d.
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The expanse of chest and the full fleshy.
Roman analysis the portrait above is a roman sculpture terracotta a sculpture made in earthenware representing the bust of a man.
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Such roman portraits were intended to embody societal values such as gravitas dedication to civic duty and virtus excellence of character rather than reproduce an individual s.
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Although the surface of this piece has been strongly cleaned and even recut in places evidence of a heavy dark incrustation formed during centuries of burial is still visible especially at the back.
Harwood was familiar with antique sculptures from time.
Roman julio claudian period mid first century a d.
The man s close cropped hair furrowed brow the bags under his eyes and his sagging cheeks convey a sense of austerity and a sort of warts and all realism.
Rare late roman empire 3rd to 5th centuries c e solid marble bust of a young man.